Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.

The story of the most powerful man in the world of his time, Hadrian (76-138), who was proclaimed emperor of Rome in 117 as successor to his late great-uncle Trajan: a poet, a politician, a warrior, a builder of worlds; a man with an identifiable face but an elusive spirit; a man who traveled all his life; a man who built, legislated, loved and suffered; a believer who prepared for eternity.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
This sports drama movie is centered around an Asian American boy named Chang.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.