Hamnet: A Passage through Time to the Magnificent Forest
A family drama is woven with quiet yet powerful forces of words and nature.

12 year-old Adama lives in a remote village in West Africa, sheltered by the cliffs. Out beyond lies "the world of wind," the kingdom of wicked spirits hungry for war. When his elder brother Samba suddenly vanishes from the village, Adama decides to set off in search of him, crossing into a Europe in the grip of World War I.
A family drama is woven with quiet yet powerful forces of words and nature.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.