The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

This precisely calibrated domestic diorama alights upon the imagined futures of a group of anonymous young adults. In Helena Wittmann’s warmly rendered feat of formalist filmmaking, questions of time and the realities of space convene in languid interior pans, incremental shifts in light, and the private reflections of her subjects.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.