Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

This is the war and everybody in Germany should beware : the enemy is listening. One family in particular had better be even more careful than the average citizen of the Reich : the Kettwigs. Indeed they own an armament factory and their engineers, technicians, workers and of course themselves belong to a highly sensitive sector. They are under the constant scrutiny of those who want to get hold of the secret weapons devised in the plant, notably of a wire which, when attached to a balloon, may become the most effective anti-aircraft ever. For sure, they should distrust everybody. Isn't Nolte, the waiter, an enemy agent? Should young Bernd Kettwig allow himself to be seduced by this pretty woman ? As for Bernd's secretary, is she right when she lets this handsome man woo her?
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.