A terrifying story based on a fact occurred in Buenos Aires, early 1967. Reported in "La Nación" and all the other newspapers, after the death of a woman interned at the Instituto de Detención para Mujeres. Doctor Vallejos, the magistrate in charge of the inquest, gets enmeshed in personal intrigue, organized corruption, lust and vice in which apparently all the penitentiary personnel and an organized gang of dangerous inmates are involved, operating within the prison itself.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
There's no hiding the horrors of war in this inspiring story of survival
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
