The Genuinely Good and Painstakingly Bad of 'House of Gucci'
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.

Xia-dou and Ji-dan left their families and friends in Thief Village to sit in a dungeon as subsitute prisoners in exchange for favor from the local law enforcer. The warden, knowing they are good in physical skills, sent them on a side job. The kids broke in a heavily guarded examination ground, swapped two exam papers for the client and stole a pair of golden eyes from a big lion chop for themselves. The missing gold detoured the detective's trail to the master schemer. As the conspiracy unfolded, the governor decided to eradicate the whole village to cover up his involvement with the master schemer. Life in Thief Village has never been easy. But fate never mocked them so hard. It turned out that the gold they so cherished was fake. So were many other things they believed in. In despair, Xia-dou's Great grandfather, the 125-year old personage called upon the sky and recevied a most fantastic answer.
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.