A cloudy riverbank. Kazuko, a one-piece woman with a floral pattern, stands under the viaduct. She was abandoned here when she was young and raised by a homeless man who lives there. Yoshio offers an engagement ring to his girlfriend Sachiko, but he gets confused. As he was frustrated and walking along the night road, Kazuko, who was standing under the guard and selling his body, called out and headed for a love hotel with her. Kazuko accepts rough acts as they are. After the fact, Yoshio opened the ring case in front of Kazuko and showed it. She couldn't help feeling destined because she never thought that such a day would come. A few days later, Yoshio also visited the riverside village, and Kazuko said goodbye to the homeless man. Kazuko was greeted by Yoshio's parents, Takeshi and Yoko, with joy and tension in her heart. Even though she knew her poor upbringing, her parents kindly accepted her because she wouldn't hide it from her family.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
