An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.