Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Aamir Khan: The Snake Charmer poster

Aamir Khan: The Snake Charmer 

The snake charmer follows Aamir Khan on a journey through India's TV and Bollywood film industry, as he attempts to change the way Indians perceive and treat women. From the set of Satyamev Jayate, the film follows Khan backstage to his new Bollywood blockbuster Dangal. Khan's quest ultimately opens a window into a country in crisis and into the changes it is undergoing.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The snake charmer follows Aamir Khan on a journey through India's TV and Bollywood film industry, as he attempts to change the way Indians perceive and treat women. From the set of Satyamev Jayate, the film follows Khan backstage to his new Bollywood blockbuster Dangal. Khan's quest ultimately opens a window into a country in crisis and into the changes it is undergoing.

Rating:
Genre:
Written By:
In Theaters:
Box Office:

Runtime:48 minutes
Studio:

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger