A fantasist, Chitti Babu spurns honest work after an astrologer tells his greatness will come after marriage. He snags the heart of millionaire Royyala Naidu's daughter, Rambha, but the pragmatic Rao sets a royal ransom: one lakh rupees before Chitti Babu touches his queen. The battle lines are drawn: son-in-law's harebrained schemes clash with father-in-law's cunning traps, all while Rambha navigates the chaos with love and exasperation. Will prophecy prevail, or will hard work win the day?
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
Dracula evolved from a person to a monster and then from a monster to a person.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
