A Woman's Face (1941)

Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?