After the mysterious death of their infamous director, members of a formerly renowned theatre company reunite for his wake. The grieving widow welcomes the thespians to her country house, but the drama intensifies when old rivalries and jealousies erupt, exposing a myriad of secrets and lies.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
