Dong-Hwa is a complete loser, whose first novel called 'I met Kafka' brought the publishing company bankruptcy. To bring home the bacon, he tries to drive a taxi but only ends up running over someone. One day Dong-Hwa is offered a job to do ghostwriting for a CEO named Man-Chul, who turns out to be the ringleader of the biggest criminal syndicate in Korea. Dong-Hwa soon finds himself perfectly at ease in the mob, while Man-Chul starts learning about the other part of the world.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
