Short Film: 'The Other Side' Examines Poverty in Mumbai—“People like you don’t belong here”
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.

Sienna, the owner of the bustling Divine Beauty Salon is preparing for Atlanta’s Tinsel Ball, where she will be honored for her charitable work in the community. The annual event takes a glamourous turn with the arrival of Lawrence, a charismatic CEO whose family’s wine brand is now co-sponsoring the Ball. Sparks fly between them, but Sienna’s mother Georgia who is the head of the Ball’s committee, worries his involvement may ruin the event’s traditions. As Sienna and Lawrence are unexpectedly paired as dance partners, romance blooms, setting the stage for a steamy romance that challenges Sienna’s thoughts on love and family and makes this year’s Tinsel Ball the most memorable yet.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.