After falling in love with an American woman, Virginia Killain, who is engaged to another man, British Naval Commander Max Easton, hatches a plan that will get him enough money to support Virginia in the lifestyle she is accustomed to. Easton's plan is to disappear for a time making it seem that he has defected to the Soviets taking important Naval secrets from his job at the Admiralty and to return and sue the newspapers for slander. Not everything goes as planned for Commander Easton.
Guy Hamilton
Director
James Mason
Cmdr. Max Easton
George Sanders
Sir Charles Holland
Vera Miles
Virginia Killain
Robert Flemyng
Cmdr. John Larkin
Oliver Johnston
Minister
William Kendall
Tom
Duncan Lamont
1st Special Branch man Gregson
Harry Andrews
Capt. Graham
Peter Barkworth
Sub Lt. Brown
Rachel Gurney
Clara Holland
Martin Stephens
John Holland
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
A short hybrid film featuring everyone's favorite Disney characters.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.