Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
A Taste of Youth poster

A Taste of Youth 

On the eve of his 46 birthday, Mateo Torres finds himself longing for the life that's seemingly passed him by. Though he loves his husband, Calvin, he can't help wishing he could do it all over again. Then, one night, he's given a chance to turn back the clock. All he must do is decide if the cost is worth it. Produced by SideKick Productions, A Taste of Youth is the world's first queer, fat-positive horror feature film.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


On the eve of his 46 birthday, Mateo Torres finds himself longing for the life that's seemingly passed him by. Though he loves his husband, Calvin, he can't help wishing he could do it all over again. Then, one night, he's given a chance to turn back the clock. All he must do is decide if the cost is worth it. Produced by SideKick Productions, A Taste of Youth is the world's first queer, fat-positive horror feature film.

Rating:
Genre:Horror
Written By:Joshua R. Pangborn
In Theaters:
Box Office:

Runtime:

Studio:SideKick Productions

Articles You May Like


'Jack and Diane' Review: Wasted Potential

The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.

Andrea Amoroso

Short Film Review "Jamarcus Rose & Da 5 Bullet Holes" - Chasing ambitions, accepting guidance, finding brotherhood, and realizing the fragility of life

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

Kirk Fernwood