“The Odyssey” and Moving Forward
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved

With one single choice, everything changes. One life splits into two realities: one chasing a chance at love, while the other finds solace in music. If one true path is not found, both realities will cease to exist. A reluctant guardian angle, William, finds it challenging to overcome his selfish ways and connect with the boy, James, that he is to look after.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.