
“A Song for Europa’ is one of the key tracks from Jóhann Jóhannsson’s release ‘Orphée’ on Deutsche Grammophon. Typically for Johann, the work is a beautifully atmospheric composition, one that immerses the listener into the strange recordings of the ‘Numbers Stations’: a category of shortwave radio station broadcasts characterized by readings of number lists, letters and coded messages from a forgotten era. It is to these lost, lonely voices that Johan has turned, capturing the enigmatic transmission of encoded information to persons elsewhere, and reflecting them back within a new context. In response, Studio AKA director Gergely Wootsch has created a considered and thoughtful animated film, which crosses literal boundaries and thresholds as it drifts along a desolate cold war landscape, following the haunting voice as it searches for a listener.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy