Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their tree farm. No one in the family recognizes Adelaide except Dillon, the oldest son.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Personalities clash and tempers fume in a family-run Chicago restaurant
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
