San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
A Safari Without a Lion
Two and a half years after the sudden death of Moti Kirschenbaum, his grandson Liri and his son Knaan went to the Okavango Delta, an amazing natural land, to photograph and tell experiences from another journey. 12 days in field conditions, far from civilization, sleeping in the bedroom of the zebra and the elephant. This is the story of a "Kirschenbaum" journey in Africa. A story about difficult roads, rains, winds and thoughts in the Land of Nature in Genesis.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Two and a half years after the sudden death of Moti Kirschenbaum, his grandson Liri and his son Knaan went to the Okavango Delta, an amazing natural land, to photograph and tell experiences from another journey. 12 days in field conditions, far from civilization, sleeping in the bedroom of the zebra and the elephant. This is the story of a "Kirschenbaum" journey in Africa. A story about difficult roads, rains, winds and thoughts in the Land of Nature in Genesis.
Rating:
Genre:
Written By:
In Theaters:
Box Office:
Runtime:48 minutes
Studio:
Cast
Articles You May Like
You are my Tomorrow: “Vai”
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Idina Menzel: Which Way to the Stage?
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
I Felt so Disconnected from 'Last Night in Soho'
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.