What Sinners Gets Right About Family, Fear, and the Fight to Stay Human
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.

John Mackley is in the hands of a money-lender, and a broken leg prevents him from meeting a note when due. He succeeds in putting off the payment until a future date, in the hope that better times will come in the interim. His wife and daughter, Lucy, comprise his family. Lucy, just budding into womanhood, has formed an attachment for a young man, who had rendered herself and mother a little service one day. They have met several times and love has become mutual. She knows nothing of his avocation or his past, only that he is living in the neighborhood.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.