
On the day of his forced retirement, a grumpy school principal decides, together with his neighbour, to search for a wife on the Internet...
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.