"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Hari, a government employee, lives with his wife Sujata, their son Sankaran, and his brother Murali. When Hari's colleague Reji and his family visit for two days, the families celebrate, despite Murali being tired from work. The next day, Hari and Reji attend a wedding with their wives, leaving the children—Helen, Maria, and Sankaran—at home. Maria invites Sankaran to play a game, but as they play, the mood and intensity of the game shift dramatically.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
A complete ranking of every Godzilla movie, including shared universe films.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.