Fictional documentary about the cultural heritage of Porto Alegre, based on texts by Erico Verissimo, Dyonélio Machado, Saint-Hilaire and Souza Brandão. The historic buildings of the center are shown through the eyes of two characters who move through the city that changes and the city that remains.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
