'Zondvloed (Flood)' — MiamisFF Review: Between a Flood and a Hard Place
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.

As part of its contemporary programs, the Louvre has invited twenty young creative figures to present their take on the museum in the form of a 3:30 min film. The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before became a museum. These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre. The first film was conceived by painter Ariana Papademetropoulos and is titled Mon Seul Désir (My Sole Desire). The artist herself appears in a dream: the Salle des États and the Grande Galerie become a dreamscape – a dreamscape that is the museum itself.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
Personalities clash and tempers fume in a family-run Chicago restaurant
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.