Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Three presenters, three continents and three of the poorest countries in the world formed the backdrop for the BBC TV documentary, A Mile In Their Shoes. The programme followed Nick Knowles, Patrick Kielty and Victoria Beckham on extraordinary journeys through Zambia, India and Peru. Their experiences highlighted where the money raised by Sport Relief was being put to work. The presenters joined three children to experience everyday life in three areas the charity is battling to help. Victoria travelled to Peru to meet 11-year-old Dinah - who lives and works on a rubbish tip. Of the 250,000 children working in Peru's capital, Lima, 80% are under the age of 12. In rural areas the situation is no better, with a huge 62% of school-aged children suffering from malnutrition. Victoria met Dinah, who is 11 years old. Dinah's mum died three years ago and she lives and works with her dad on a rubbish tip.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.