Women in Marvel: Marvel Films and TV Shows Dominated by Women
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.

Imprisoned at the French garrison on the Isle of St. Noir for putting to death a patient suffering from an incurable illness, Dr. Paul La Roche escapes to the mainland, where he meets Dr. Henry Fontaine, his boyhood friend, and Fontaine's beautiful sister, Yvonne. As Fontaine is going blind, La Roche performs several operations for him, attracting the attention of Dr. Renaud, in Algiers, who offers him a position. La Roche, practicing as Fontaine, reveals his love for Yvonne during an excursion to a Bedouin camp. Then, Lieutenant Destin, from the prison, arrives and threatens La Roche with exposure unless he surrenders the hand of Yvonne.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
An original animated movie in the Wimpy series based on the book Cabin Fever.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.