Just out of prison Joe Harris looks to restart his life. His wife Barbie has moved and the one man who can tell him where refuses to do so. Enraged, Joe beats the old man senseless and runs away to his father's home, where he also finds his wife. A police detective comes around about the beating (which will soon to become a murder) and Joe insists he's innocent. Joe tells his wife and father he's a changed man and he's only a suspect because of his prior conviction. Barbie and Fred struggle with their desire to believe Joe's plea versus their fear he'll never change.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
