Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Will Loomis is living with his mentally handicapped sister Violet, who wants a younger child to play with, so Will 'kidnaps' one (and then another) child from the local children's home. The child is told it is dead and gone to heaven. Will and Violet try to make their farm a little piece of heaven for the kids, while the authorities wonder what has happened to the kidnapped children.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.