Little Seung-jae stays up all night and writes letters to So-hee, pretending to be her father in Mars. Leaving Seung-jae's innocent heart behind, So-hee leaves for a big city. Both grown up to be adults, Seung-jae is a postman who writes letters to So-hee's grandma - the letters that never came from So-hee. So-hee's heart hardens after hardships in life and she comes back to her hometown and Seung-jae's heart swells up again at seeing her again...
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
