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The sports movie genre is dominated by men. On the big screen, it is strictly guys filming guys playing baseball, basketball, etc, giving each other high fives and starting chants in the locker room. Women rarely get the limelight. There are exceptions, like A League of Their Own, Million Dollar Baby, and Bend it Like Beckham, but overall, female-driven sports pictures just don’t get made despite, what I would imagine, is a yearning fan base.
I’d like to say Hustle is different, but it is not. There are certain pat conventions that persist here. Stereotypical roles like the supportive wife, the lusty love interest, or the cold rich heiress turned team owner are prevalent in sports pictures. In Hustle there is the supportive wife and daughter to Adam Sandler’s Stanley Sugerman, played by Queen Latifah and Jordan Hull respectively. I don’t mean to put down Queen Latifah’s role. She delivers a warm and sincere performance and it should not be overlooked that this is an interracial marriage portrayed on-screen, and an interracial daughter comes out of that bond. This is nice to see, but it doesn’t negate the fact that these are overly-simplified roles that serve very minor purposes in the film.
Hustle is about a basketball scout for the Philadelphia 76ers named Stanley Sugerman. At the start we find Stanley hopping across the globe, searching for undiscovered talent. He’s well into middle-age, drives a shitty car, is tired, and rarely gets to spend time with his family. Rex Merrick, the team owner, played by Robert Duvall, well-aware of Stanley’s predicament, offers Stanley a job as an Assistant Coach for the Sixers. For Stanley, this is great. It’s a job that requires far less travel and lets him spend more time with his daughter as she grows up. Unfortunately, tragedy strikes when Rex dies. The team is left in the hands of Rex’s spoiled and arrogant son Vincent. With Vincent at the wheel, Sunny goes back to being a talent scout, much to his chagrin.
Then something magical strikes. While scouting a player in Spain, Stanley comes across a hidden talent in a pick-up game named Bo Cruz. Sunny thinks he’s found a diamond in the rough. He recruits Bo and brings him back to the United States. It is here where Sunny puts Bo through a rigorous Rocky-esque training regimen in the hopes of getting him recruited by the Sixers.
It’s well into the picture when we get a little backstory on Stanley. He is a former stand-out point guard from Temple University who (spoiler alert) got into a car accident while driving drunk and destroyed one of his hands permanently. We also learn that Bo has some history with domestic violence which sullies his chances of getting recruited by an NBA team.
Heartfelt and moving, Netflix’s documentary A Secret Love (2020) shows the 72 year love story of two women. Director Chris Bolan, great-nephew to Terry Donahue and Pat Henschel, tells the story of his great-aunts and their love and devotion to each other. The story that the film tells is tender, and it’s incredibly sweet to watch Terry and Pat, who have been together for decades. However, I did question the areas of Terry and Pat’s story that the film chose to focus on, specifically the central focus on being in the closet and coming out.
Terry and Pat met in the late 1940s—Terry was a baseball player for the Peoria Redwings, a team in the All-American Girls Professional Baseball League on which the film A League of Their Own (1992) is based. Falling in love during a time in which living as an openly gay couple was not an option due to discrimination, the two kept their relationship hidden, especially from their families. The present-day narrative of the film follows the two as their health declines in old-age and they make the difficult decision to enter an assisted living community.
I loved the parts of the film that focused on telling the story of Terry and Pat’s love—with video clips, photos, narration, and interviews with them about their lives as they fell in love in the late 1940s, lived in Chicago and formed their own found family of other queer people in the area, and continued to be incredibly devoted to each other. It explores queer romance and the endurance of love despite discrimination.
I felt incredibly emotional when the two were finally able to get married in a beautiful scene near the end of the film. At one point in the film, Pat says in reference to Terry: “What she means to me: she means everything,” and this point is quite clear as you witness the depth of these womens’ love for each other. It was also lovely to see an older LGBTQ+ couple represented on the screen, something both uncommon and beautiful.
However, a less-beautiful aspect of the film is the fact that its central focus is on the hidden-aspect of Terry and Pat’s romance, coming out, and Terry’s family’s relationship to Terry being gay. Shannon Keating at Buzzfeed described “the subtle but insidious homophobia baked into this very telling of their story,” and I feel inclined to agree. The film could have leaned into Terry and Pat’s love story and their found family in their home of Chicago. The one scene in the film that shows Terry and Pat having dinner with a gay couple they’re friends with was lovely, and I would have loved to see more. But the film’s title shows just how much the documentary will focus on the “secret” nature of this relationship, going into Terry’s family’s thoughts on Terry and Pat’s romance and their being in the closet. While this is, of course, one aspect of their story, there are so many others that could have been explored more.
As America's stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up in the Midwest, funded by publicity-hungry candy maker Walter Harvey. Competitive sisters Dottie Hinson and Kit Keller spar with each other, scout Ernie Capadino and grumpy has-been coach Jimmy Dugan on their way to fame.
Penny Marshall
Director
Penny Marshall
Director
Tom Hanks
Jimmy Dugan
Geena Davis
Dottie Hinson (C)
Lori Petty
Kit Keller (P)
Madonna
Mae Mordabito (CF)
Rosie O'Donnell
Doris Murphy (3B)
Megan Cavanagh
Marla Hooch (2B)
Tracy Reiner
Betty Horn (LF/P)
Bitty Schram
Evelyn Gardner (RF)
Ann Cusack
Shirley Baker (LF)
Anne Ramsay
Helen Haley (1B)
Freddie Simpson
Ellen Sue Gotlander (SS/P)
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