'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

Sir Les Patterson (Barry Humphries) as a people's show TV host, quizzing the studio audience and guests Marie Helvin and Claire Rayner, Kilroy style, about the compatability of sex and marriage. Sir Les was assisted by a busty bimbo, Christabel. It all ended in disarray, with members of the audience at loggerheads and throwing punches.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.