The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Abdi, a 12-year-old Syrian refugee living in an asylum shelter in the Netherlands, has fallen in love with the 15-year-old Leyli and wants nothing more than to have her be his partner for the summer disco. But Abdi lacks the courage to ask Leyli. After finding out that at the end of the week he and his family will be moved to another asylum shelter, our young hero embarks on an unstoppable journey to win over Leyli's heart and to seal it with an intimate kiss. Knowing that if he loses her, he will regret it for the rest of his life.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
A homeless girl faces depression and uncertainty during the holidays.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.