I Feel The Weight of “The Weight”
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year

In 2007, the Braley Family decided to rescue an abandoned and dilapidated Civil War Era home in historic Saginaw, Michigan. Despite the overwhelming need for repair, the Braley's saw nothing but potential; a 6,000 square foot blank canvas to which the large family could pain a future of their own. Sparing no expense, contractors were deployed to the stately and iconic manor, with the mission to preserve its original 19th century colonial architecture. Almost immediately, strange occurrences began taking place within the home; tools coming up missing, disembodied voices and footsteps, and the shocking appearance of a semitranslucent apparition of a young child. Following several weeks of escalating activity, the bewildered family took it upon themselves to find out who or what was haunting their home. That is when they made the unfortunate mistake of turning to a spirit board for answers...
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
This reboot of The Wonder Years is told from the lens of a Black man.
This animated movie is based on the migration of birds from the north to the south.
Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.
Based on a true story, Al Pacino delivers his career defining performance of conflicted bank robber.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.