A gozar, a gozar, que el mundo se va acabar 

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Like most young people, Leviticus is imperfect.  But I love it anyways. 

"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Inspiring and diverse animated series for the whole family.

Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.