
“A Frog Sits In Water” began as a poem and now sits at the center of Dylan Friese-Greene’s practice. The film is a short experimental study of complacency during an all-consuming heatwave, following a solitary man as his mind frays and the world boils around him. The saxophone of Gal Go and the voice of Kojaque thread music and narration through the images so that sound and picture make the same claim.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.