With Christmas approaching, life appears to be good for Tom, an ex-Olympic hockey star, and his girlfriend, Jenny, a firefighter -- at least until Mary, a former Olympic figure skater, Tom's soon-to-be ex-wife and the author of a book of tips on relationships, is convinced that appearing to be still happy with Tom will help sell her book. Tom's strong desire to spend the holidays with his and Mary's daughter provides a test of true love and, ultimately, reveals who the true heroes are.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
