An immigrant unable to speak the local language, Mya works as a dishwasher in a busy restaurant. One night at the end of her shift, Mya finds a homeless man in need of medical assistance behind the restaurant. After managing to get help for the homeless man, a miscommunication with a police officer leads to a series of intense situations. In order to place the audience in the perspective of an immigrant, the entire film is spoken in a fictitious language.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
American Fiction is a genuinely entertaining film with a few lessons.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Growing up is a challenge for everyone.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
