Yuko becomes a teacher at an all-boys school. She just spends her days going back and forth between her home and school in vain. And then there was her 30th birthday, which she celebrated alone. At a boutique she stops at to relieve her loneliness, she meets Seiichi, a young clerk. Coincidentally, she is revealed to be the lover of Hideko's younger sister, and before she knows it, they begin to spend sweet nights together.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
