"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
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Documentary hosted by media personality Tommy Sotomayor about the lack of fathers in modern America.
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With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A man struggling with the death of his son agrees to coach his former high school basketball team.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.