After Tamiko Kazami's husband passes away, she works their dairy farm. People around her oppose her, but she places her cattle out to pasture which her late husband insisted. Tamiko's situation is not very good. Her father-in-law's chronic disease gets worse and she must do all the labor by herself. One night, a man comes to stay the night because of a broken bike. Tamiko asks him "Please work here."
Yuzo Asahara
Director
Hiroshi Abe
Kōsaku Tajima
Takako Tokiwa
Tamiko Kazami
Toshio Kakei
Tarō Abuta
Yutaro Sato
Takeshi Kazami
Atsuko Takahata
Suzue Ōsawa
Takeo Nakahara
Yoshio Kazami
Kintakao
Jirō Abuta
Minoru Matsumoto
Saburō Abuta
Yutaka Shimizu
Satoru Ōsawa
Kazuyuki Matsuzawa
Mr. Nakamura
Akihiko Ishizumi
Yamanaka Detective
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.