“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

When you're the city attorney you don't need the kinds of problems that her father was giving her. After her mother died, her father began doing his "Santa Schtick," as she called it, much more intensely... which meant that he turned his home into a kind of year-round Santa Claus castle where children of all ages could come to see the wonderful presents and no child ever left without a gift.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'