Mary (Austin Highsmith) and Charlie's (Alan Powell) marriage had become a little rocky, he forgot their anniversary whilst she almost slept with their friend Trevor (Luke Edwards) whose partner, Susan (Valerie Azlynn), is always working as she is a lawyer. But Mary is becoming suspicious of Charlie when he says he is working late on a property he is renovating and decides to show up there unannounced only to find him dead. With Charlie's sister, Crystal (Lorna Street Dopson), suspecting that Mary might have done it and with police investigating she turns to Susan for legal help.
David Bush
Director
Valerie Azlynn
Susan
Luke Edwards
Trevor
Alan Powell
Charlie Saunders
Austin Highsmith Garces
Mary Saunders
Sharon Garrison
Mrs. Saunders
J. Teddy Garces
Detective Malone
Lorna Street Dopson
Crystal
Jannette Sepwa
Lizzie
Shane Jackson
Concerned Parent
Brady K. Jackson
Student
Brad Hockmeyer
Officer E. Davies
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.