NYFF Review - 'The Inspection' Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.

Lorenzo is a civil servant who wearily drags his business in Milan between meetings, a wink to his secretary and the latest hallway gossip with his colleague. One day, more dazed than usual, he leaves the office and wanders off. By chance, he meets Cristina, a university student seemingly convinced of her incarcerated brother's revolutionary ideas, but is unable to detach herself from the bourgeois complex assured to her by her family.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.