In Burgundy, persecuted Huguenots are dragged to the scaffold. The lord of Corneville, the Huguenot Marquis de Corneville, and his friend Count Grusenet are also facing the death penalty and must flee. The Marquis's property, the Count's daughter, is entrusted to Father Gaspar. Twenty years pass. Father Gáspár has now raised two orphaned daughters, the daughter entrusted to his care and a foundling. Serpolette is one of them, dreaming that one day she will be discovered to be of noble birth. Serpolette is in love with Grenicheau, a clever, cunning fellow, but he is more in love with the other girl, Germain. Germain is destined to be a judge by her stepfather, but she hopes a prophecy will come true that she will marry the man who will come from the sea and save her life, so she refuses him.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
If you’re also a major fan of the familiar strangers story between two people of different generations, here are 5 underrated films you probably haven’t heard of, but might thoroughly enjoy.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
