A clothing manufacturer president tries to revitalize his company during a business downturn by securing new sales partners and chasing a deal with a world-renowned fashion designer.
Shūe Matsubayashi
Director
Hisaya Morishige
Kurihara Yaichirō (Sunrise President)
Keiju Kobayashi
Kojima Keigo (Chief of Secretary)
Daisuke Katō
Gotō Kanju (Managing Director)
Yōko Tsukasa
Kojima Yōko (Keigo’s wife)
Frankie Sakai
Annaka Ruiji (Chiol Japan Manager)
Keiko Hara
Harada Nobuko (Secretary Office)
Norihei Miki
Sasaki Matakichi (Sales Manager)
Junko Ikeuchi
Hifumi (Nagoya Geisha)
Michiyo Aratama
Machiko (Osaka Bar Madam)
Asami Kuji
Kurihara Mineko (Yaichirō’s wife)
Yuriko Hanabusa
Tetsu (Keigo’s mother)
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.