Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

A recently widowed doctor moves with her daughter to start at a new hospital. While there a loving mother brings her son in for treatment. The doctor suspects that there is something wrong, and theorizes that the mother is deliberately making her son sick so that she could bring him to the hospital for the attention that it gives her. When the doctor decides to restrict the mother's access to her son and is reporting her to child services, the mother in turn decides to sue the doctor and the hospital. And some of the hospital board don't agree with her diagnosis or think that she's over-reacting. And even while the mother's not allowed access to her son, he is still sick, so is the doctor right or wrong?
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.