Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

In love with Duygu, as well as with his favorite football team, Zafer is one of those grown-up men who never really grow up. One day, he finds himself forced into a marriage by his father, and despite his many funny attempts to get out of the marriage, Zafer’s plans yield no result. Can Zafer understand the meaning of true love before the final whistle blows?
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Sam Levinson's latest film can't keep up with the excellence of its performances.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.