‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

In Siculiana, a small Sicilian town full of flaking facades, religiosity is lived out as a matter of course. And of course the figure of Jesus Christ worshipped here is black, and always has been. However, some people cannot get used to their dark-skinned neighbours in the refugee camp. The camera accompanies locals and stranded people along their paths, which often lead to the church, but not necessarily together, and draws a kind of map of the city in black-on-black contrasts.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
‘A Good Person’ makes it clear that forgiveness is hard.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.