
Shin Jung-Hyeon, Kon-Chi, and Dong-Ho are poor musicians. Since they have excellent ability but don't have money, they don't have jobs. A beauty treats them with kindness. She gives them money for the house and drink, and gives comfort to their minds, too. One day, they grow rapidly into favor. The beauty Shin Jung-Hyeon loves disappears. They thought her a student, but in fact, she is a call girl. Knowing this, Shin Jung-Hyeon sings with almost mad feelings.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.